Shibayama Butterfly Ornament, Meiji Period

This Shibayama Butterfly Ornament, originating from Japan around 1900 during the Meiji period, is a remarkable example of traditional Japanese craftsmanship. The piece is characterised by intricate Shibayama inlay work, where each wing is crafted from ivory. The wings are beautifully adorned with mother-of-pearl insects and complemented by black inlaid feelers. The addition of red, green, and black enamel accents enhances its visual post content. The central body, connected by a gilt metal hinge, allows the wings to move gracefully, demonstrating the skilled artistry of the time.

Condition Report

The ornament is preserved in good condition with the brass hinge mechanism displaying minor wear consistent with its age. The inlay work remains intact, and the mother-of-pearl retains its original lustre. The ivory wings exhibit an age-related patina, typical for pieces from this era. The left wing has a slight blemish on the side of the ivory, which is consistent with age. There are no visible signs of restoration, and the clasp mechanism remains functional and secure, indicating careful preservation.

Dimensions

Weight: 0.005gms, Width: 5cm, Height: 2.5cm.

A Personal Accessory of Elegance

The design features a brass clasp mechanism on the reverse side, suggesting its intended use as a personal accessory. This could have served as a brooch or garment embellishment, items that were popular during the Meiji period. Additionally, the structure and hinge allow it to function as a decorative hair ornament or attachable clasp for ceremonial objects, showcasing its versatile use.

Shibayama Artistry and Style

This ornament is a quintessential example of Shibayama work, a style that emerged in the late Edo period. Developed by Ōnoki Senzō, Shibayama involves the high-relief inlay of materials such as mother-of-pearl, coral, and ivory onto a base of bone or ivory. The technique is renowned for creating intricate, three-dimensional designs depicting natural motifs like flora and fauna. During the Meiji period, Shibayama pieces gained international acclaim, especially after being featured at global exhibitions.

The Craft of Inlay and Ivory

The creation of this butterfly ornament involved meticulous craftsmanship. The Shibayama inlay technique requires precise placement of mother-of-pearl and enamel on an ivory base, creating a layered, textured effect. The use of gilt metal for the hinge highlights the combination of durable materials with delicate artistry. Such pieces were typically handcrafted, reflecting the skill and dedication of artisans from the era.

Artisans of Yokohama

Although the specific maker of this ornament is not identified, it reflects the craftsmanship characteristic of artisans from Yokohama during the Meiji era. Yokohama was a pivotal centre for the production and export of decorative arts following Japan's opening to international trade. Artisans in this region were adept at merging traditional Japanese techniques with designs that resonated with Western audiences, contributing to the global appeal of such ornaments.

Collected by Enthusiasts of Japanese Art

Shibayama pieces like this butterfly ornament became highly sought after during the Meiji period, particularly following their introduction at events like the 1867 Paris Exposition. Collectors prized these items for their intricate workmanship and the harmonious blend of materials. The period was marked by modernisation and increased cultural exchange, with the Japanese government actively promoting art exports. These pieces remain valuable to collectors who appreciate their historical significance and artistic beauty.